science

Metabolism, in living systems, has two aspects: anabolism (building up), and catabolism (breaking down). This two-day workshop in electronic sensing in art and design has a special focus on textiles and architectural-scale applications.

Below are the themes and speakers of a conference, hosted by the Integrated Digital Media Institute and Othmer Institute for Interdisciplinary Studies at Polytechnic University, Brooklyn, where I'll be giving a presentation based on the ideas in my paper with Robert K. Logan, "Designing for Emergence and Innovation." More background may be found at http://idmi.poly.edu/

The Production of Politics Thursday October 19th 11am to 2pm

Richard Rogers, Director, govcom.org, University of Amsterdam

Tom Keenan, Director, the Human Rights Project, Bard College

Karen J. Hall, Humanities postdoctoral fellow, Syracuse University

Atopia (Jane Harrison and David Turnbull), Urban research and design office, New York

The Art of Work in the Age of Post-production Thursday October 19th 3pm to 6pm

Rev. Luke Murphy, Artist, VP of Technology, MTV Networks

Greg Van Alstyne, Senior Research Associate, Beal Centre for Strategic Creativity, Ontario College of Art & Design

Ruth Ron, Architect and new media artist, Visiting Assistant Professor, University of Florida

Blogging: around the table Friday October 20th 11am to 2pm

Jodi Dean, Teaches political theory at Hobart-William Smith colleges and maintains jdeanicite.typepad.com

Geert Lovink, Media theorist and activist, University of Amsterdam

McKenzie Wark, Author of the Hacker Manifesto and teaches media studies at Lang College, the New School

Steven Shaviro, DeRoy Professor of English, Wayne State University

The Politics of Production Friday October 20th 3pm to 6pm

Michael Liegl, Ethnographer, University of Munich

Eric Redlinger, Musician, network administrator, member of Share collective, New York-Montreal-San Diego-Wiesbaden

Michael J. Schumacher, Composer, performer, director of Diapason sound gallery, New York

Katherine Carl, Co-director, the School of Missing Studies, New York-Sarajevo

My friend David Coole recently took his masters in architecture and has been advising me about the graduate degree experience. After building an impressive career in film and video production, including supervising post production for Michael Moore's Bowling for Columbine, he decided to enroll in architecture school.

In a recent discussion he proposed a necessary new science: a science of what can't be done. After decades -- centuries really -- of the science of what might be possible, its time, he thinks, for a science of the not possible.

Alchemists for centuries attempted to turn lead into gold. Others attempted to create a perpetual motion machine. For years the belief exceeded the practice. Only after a scientific theory proved it wasn't possible did the resignation sink in.

Here's a Harvard University engineering and applied science graduate class that asks, "How do we engineer robust behavior from the cooperation of vast numbers of unreliable parts? Biology hints that there may be significant power to be achieved from building things out of cheap, imprecise parts with limited life."

CS 266: Biologically-inspired Distributed and Multi-agent Systems

Research topics include: swarm behaviors and robotics, amorphous computing and smart materials, reconfigurable robotics, immune-inspired systems, synthetic biology.

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